When I got into lettering and illustration, I started compiling a list of other artists whose work I really admired. Miroslav Sasek (I wrote about him here) and Alain Gree come to mind.
Mary Blair came up quite often in the online forums. Her best known work would be the It’s a Small World ride at the Disney parks.
Ok. I know what you’re thinking. That’s the kiddie ride you bypass on your way to the Haunted Mansion. Or if you’re traveling with little ones, you go on because you HAVE to.
This is a laid back look at how I approached my My Precious (that sounds funny) illustration. This isn’t a technical overview, so much as my thought process as I worked through the concept.
As with most pieces, I had a rough idea in my head for the layout. In the image below, my sketches are basically glorified thumbnails. I’m taking the basic elements and moving them around, trying different angles, putting the lettering inside shapes, etc … I’m looking for a good balance between the lettering and the donut (or doughnut, depending on where you’re from).
Many years ago, I was at the One of a Kind show in Toronto. As the organizers put it, this is “a community of like-minded individuals to exchange ideas, stories and objects through the culture of craft.”
I was talking to a photographer who specialized in landscapes. I noticed they fell into two distinct styles. One was the stereotypical sunrise/sunset, and something you might see in a poster shop. The other was very ethereal, almost abstract.
I asked him about the difference, and he explained …
Here’s another whimsical road map I came across at a flea market. Although there are over 2,500 Sinclair filling stations in the US, I’ve personally never seen one myself in my travels. There’s no date on the map, but I’d put it at the mid to late 50s. I always admire how creative they can be with the limited number of inks.
The first book I saw by Austin Kleon was “Steal Like An Artist” in a shop at San Francisco airport. Aside from the intriguing headline, it was a friendly, non-intimidating book about unlocking your creativity. He’s also written “Show Your Work”, which talks about sharing your process. In “Keep Going”, the focus has more of a “Chicken Soup for the Soul” approach.